<rss version="2.0">
   <channel>
      <title>Wholesale Baltic Amber Silver Jewelry; Handmade Greeting Cards  Wholesale, Retail</title>
      <link>http://amber-market.com</link>
      <description></description>
      <item>
         <title>Amber and Diamonds</title>
         <link>http://amber-market.com/?p2=/modules/blog/viewcomments.jsp&amp;bid=2</link>
         <description>&lt;P&gt;&lt;/P&gt;&#xD;
&lt;P&gt;&lt;EM&gt;&lt;/EM&gt;&amp;nbsp;&lt;/P&gt;&#xD;
&lt;P&gt;&lt;EM&gt;By John Fudala&lt;/EM&gt;&lt;/P&gt;&#xD;
&lt;P&gt;This year at Ambermart three companies offered amber and diamonds jewellery. They were Dejwis- Amber Diamonds Collection ( their most expensive piece sold on first day of show to a Polish customer). S&amp;amp;A Amber Jewellery; the Diamond Collection (10 fully commercial and manufacturable jewellery sets) and New Amber Collection- faceted amber with diamonds (Amber set in gold with diamonds).&lt;BR&gt;&lt;BR&gt;"Such combination has already appeared several times in the history of contemporary jewellery. Amber has been coupled with diamonds by such designers as: Michael Zobel, Wilhelm Tasso Mattar, Jaroslaw Westermark and Jacek Baron. The combination intrigues and inspires; it is, as Zobel says, a combination of opposites. Perhaps it even takes our thoughts back into the faraway and misterious depths of history. Arche? this is the title given to his piece by Tasso Mattar. A boat sculpted in amber carrying a cargo of diamonds. It is worth adding that this is one of&amp;nbsp; the only two pieces with amber on permanent exhibition at the Jewellery Museum in Pforzheim (Schmuckmuseum Pforzheim)."&lt;BR&gt;&lt;BR&gt;International Amber Association's Bursztynisko #28, September 2007.&lt;/P&gt;</description>
         <pubDate>Tue, 09 Oct 2007 19:10:00 -0800</pubDate>
      </item>
      <item>
         <title>Bowls of  Amber</title>
         <link>http://amber-market.com/?p2=/modules/blog/viewcomments.jsp&amp;bid=1</link>
         <description>&lt;P&gt;&lt;/P&gt;&#xD;
&lt;P&gt;&lt;EM&gt;By Andrea Paysinger&lt;/EM&gt;&lt;/P&gt;&#xD;
&lt;P&gt;One of the amateur amber carvers that I used to see many years ago,&amp;nbsp; &lt;BR&gt;at the gem and mineral shows here in So. Calif., made bowls of&amp;nbsp; &lt;BR&gt;amber.&amp;nbsp; They were quite small but very pretty.&lt;BR&gt;He was one of the people who sparked my interest in amber.&amp;nbsp; Up to&amp;nbsp; &lt;BR&gt;then I mostly did carving in quartz, opal, topaz, ruby, beryl, jet,&amp;nbsp; &lt;BR&gt;jasper, etc.&lt;BR&gt;&lt;BR&gt;To save as much material as possible, he would cut a chunk of amber&amp;nbsp; &lt;BR&gt;into slabs - as I recall about 1/2 inch thick, possibly less,&lt;BR&gt;then cut the slabs into graduated discs and cut the centers out of&amp;nbsp; &lt;BR&gt;the discs, leaving a flat "ring" about 3/4 inch wide.&lt;BR&gt;&lt;BR&gt;He then stacked the resulting "rings" onto the smallest disc (which&amp;nbsp; &lt;BR&gt;remained solid) and glued them together using a melted resin he&amp;nbsp; &lt;BR&gt;ordered from Australia that has similar properties to amber.&lt;BR&gt;&lt;BR&gt;He would place this in a press and leave it for an extended period -&amp;nbsp; &lt;BR&gt;I can't recall after all this time - he bought an antique book press&amp;nbsp; &lt;BR&gt;from me, which is how I know about the process.&amp;nbsp; (He wasn't happy&amp;nbsp; &lt;BR&gt;with the results with a woodworking press)&lt;BR&gt;&lt;BR&gt;After the resin "glue" had set completely - probably several weeks -&amp;nbsp; &lt;BR&gt;he would sand down and polish the ridges on the inside and outside of&amp;nbsp; &lt;BR&gt;the bowl.&lt;BR&gt;He carved designs on some of the bowls but others, sometimes cut from&amp;nbsp; &lt;BR&gt;different types and colors of amber, he left plain.&lt;BR&gt;&lt;BR&gt;He was simply known as "Mac" and if I ever knew his surname, I have&amp;nbsp; &lt;BR&gt;forgotten it.&amp;nbsp; He was in his early '70s back then and that was at&amp;nbsp; &lt;BR&gt;least twenty-five years ago.&lt;BR&gt;&lt;BR&gt;Anyway, perhaps this will give someone an idea of how to produce a&amp;nbsp; &lt;BR&gt;bowl without much waste.&lt;BR&gt;&lt;BR&gt;We had talked at a few shows, where I was doing demonstrations of&amp;nbsp; &lt;BR&gt;engraving and carving gemstones, and when he learned I also did hobby&amp;nbsp; &lt;BR&gt;bookbinding, he asked me about a book press.&amp;nbsp; I had several (another&amp;nbsp; &lt;BR&gt;of my collections) including one that was a duplicate as I had bought&amp;nbsp; &lt;BR&gt;another in better condition.&amp;nbsp; That is when he explained what he was&amp;nbsp; &lt;BR&gt;doing and why he wanted the press.&amp;nbsp; He lived near San Diego (I think&amp;nbsp; &lt;BR&gt;in Lemon Grove) and we made arrangements to meet near the freeway&amp;nbsp; &lt;BR&gt;when I was on my way to a dog show down that way.&lt;BR&gt;&lt;BR&gt;I do wish I could remember the details about the resin he used - I&amp;nbsp; &lt;BR&gt;know it came from a tree native to Australia but other than that my&amp;nbsp; &lt;BR&gt;memory is blank.&amp;nbsp; I know he did not like the results when he tried&amp;nbsp; &lt;BR&gt;Krazy glue because it caused crazing on the surface of the amber and&amp;nbsp; &lt;BR&gt;other glues were not transparent enough.&lt;BR&gt;&lt;/P&gt;</description>
         <pubDate>Mon, 24 Sep 2007 16:22:00 -0800</pubDate>
      </item>
   </channel>
</rss>


